News

Artist in Focus is a programme by Renée Pfister Art & Gallery Consultancy promoting the works of artists the consultancy is regularly involved with.

Like an archaeologist, Katrin König continuously searches for ancient clues.

Pamela Schilderman, an interdisciplinary Dutch-Brazilian artist, explores themes of extinction, conservation, and ecology in her work.

Ernesto Romano’s new collection, entitled Pop Heart, features a series of framed C-type prints of anatomical hearts

With the installation Cultivate, Ramos touches on several timely issues.

Gallery talk with Renée Pfister on Baudelaire 'Les Fleurs du Mal' & Keita Miyazaki's 'Excess of Desire'

The decolonisation of collections, including the return of looted and stolen art, has been an ongoing concern of many international cultural institutions.

When we think of our homes, often our thoughts are filled with happiness, contentment, warmth, love, and security.

Nadja Stamselberg uses balloons as a paradoxical metaphor.

She collects specimens of  (un)natural history from the coastal strandlines, city roads, jacket pockets or the studio floor. Things eroded, smashed, or squashed flat, which she then transforms into prints.

The Detroit Institute of Arts holds a remarkable historic and contemporary collection of Native American art and crafts, ranging from tapestry, basketry, clothing, masks, jewellery, and katsina dolls.

Artist in Focus is a programme by Renée Pfister Art & Gallery Consultancy promoting the works of artists the consultancy is regularly involved with.

Shapes, lines, and dribbles in variations of hues are the distinct marks in Chris Christophorou’s paintings.

Welcome to our summer newsletter. The past few months have involved extensive international travel, where I worked on numerous exciting projects

Clouds to most of us seem less a scientific phenomenon, rather, a phantasmagorical wonder of nature.

Osman Yousefzada is a British-Pakistani interdisciplinary artist and writer, engaging with the representation, rupture and reimagining of the migration experience.

A few years ago, I was involved in a Jeff Koons exhibition. The project required visiting a company in Europe that manufactures most of his new sculptures, as well as repairing damaged pieces.

We are pleased to announce the exhibition 'Every Contact Leaves a Trace' by Sam Hodge.

Recently I have been engaged in an international exhibition with a number of high value loans from the UK.